Unspecified Objects


2023
Papier-mâché, acrylic paint
various sizes











Untitled (Broken Pattern), 2023
Acrylic on Canvas
60x60 cm | 24x24 inches

Broken Pattern, 2023


In my painting series, Broken Patterns, I took textile pattern design as a starting point. Textile patterns are designed as a whole, but as soon as the fabric is cut, sewn together, and filled with the volume of a moving body, the pattern is broken in unexpected ways, continuously generating new images. I adopted the interplay of control and chance and employed printing techniques to rework patterns into new painting compositions.  



Untitled (Broken Pattern)



2023
Acrylic on Canvas
60x60 cm | 24x24 inches


Untitled (Broken Pattern)



2023
Acrylic on Canvas
50x50 cm | 20x20 inches


Untitled (Garden), 2023

Acrylic on Canvas
200x300 cm | 79x118 inches

Details






Untitled, 2023

Acrylic on Canvas
130x140 cm | 51x55 inches

Untitled, 2023

Acrylic on Canvas
130x140 cm | 51x55 inches





Untitled, 2023

Acrylic on Canvas
160x200 cm



Untitled, 2022

Acrylic paint on canvas
170x220 cm | 67x86 in




Pods, 2022

Sculptural Paintings

In Pods, I examine aspects of my painting and assemblage sculpture processes to bring them closer together. I experiment with deconstructing my painting practice to reapproach it as an installation. To do this, I assemble, deconstruct, connect, and repair to create a new installation form and a novel path for my artistic process.

To be more specific, I spatially disassembled the stretcher frame that gives the painting its format—in depth, width, and height—and used it as a grid within which I could build an installation and from which I could have it break out.


I took up some of the central aspects of painting, such as form, color, gesture, and composition, and transformed them into three-dimensional correspondences. Lines and gestures became fragments of metal pipes and rails, rubber hoses, and ropes; I translated patterns using acrylic sheets, stones, magnets, sheet metal, and other building materials; shapes and gestures became poured concrete forms and plants. These components stretch in and out of the frameworks—they hang, lean, balance, jam, pile, or snap into their assigned places.











Omeros, 2021



11 Acrylic works on canvas





Untitled (Akimbo), 2021

Acrylic paint on unprimed canvas
150 x 200 cm

Untitled (Forest), 2021

Acrylic paint on canvas
150 x 200 cm


Untitled (5 pm), 2021

Acrylic paint on unprimed canvas
150 x 200 cm

Untitled, 2021

Acrylic paint on unprimed canvas
150 x 200 cm



Untitled (Omeros), 2021

Acrylic paint, pigment on canvas
200 x 220 cm



Untitled (Egret), 2021

Acrylic paint on canvas
150 x 200 cm

Untitled, 2021

Acrylic paint on canvas
150 x 200 cm




Untitled (Moondog), 2021

Acrylic paint on canvas
150 x 200 cm

Untitled (Romare), 2021

Acrylic paint on canvas
150 x 200 cm

Untitled (Suspension), 2021

Acrylic paint on canvas
150 x 200 cm

Untitled, 2021

Acrylic paint on canvas
130 x 170 cm